Saturday, July 19, 2025

Remembering Rav

I remember when I used to live-blog yarn projects with great glee on Ravelry. That feeling of excitement when I started chaining... Uploading pictures to document my process. Recording every detail. I LOVED working with yarn and that activity has given me the greatest rewards, not the least of which is a number of deep connections and great community relationships. 

Recently I started going to a yarn group again. On Monday I brought a sizable chunk of my late aughts/early teens magazine stash to the group. It was so much fun to revisit those publications with friends and have that feeling of wanting to make so many different things. I was, again, amazed by the creativity of the craft. The patterns were varied and imaginative. Truly inspiring.

Ravelry is a different place, now, but much of it is the same and feels like home. I am trying to establish a regular Ravelry habit. To that end, I went through my account to do some cleaning and organizing. It felt like cleaning out an attic. 🙂 I visited many of the different areas - cleaning up cobwebs, discarding once-loved relics, and rediscovering the value in what I have.

Here's what I did. I deleted all of the groups that were no longer active. After finding a couple of boards that were of interest and still percolating, and I organized my forums to have those pop up first. To make my first looks appear fresher and inspiring, I renamed my projects and tagged them using a new tagging system.  I also applied that to my pattern section so I can create bundles. In this way, Ravelry can look a bit like Pinterest, which would be good for me. Finally, I cleared up my queue to things that don't make me feel guilty, and also to things that I would like to work up quickly with yarn I already have. 

That's enough for now. I have been enjoying these exercises and remembering. I am glad.


Friday, July 18, 2025

This is my process

 I'm reflecting on a lot of the rapid cultural changes we have been seeing as of late. Part of me thinks like a passenger on a boat - wondering what I can adjust to make my passage easier, and to survive this journey. Another part wonders how much I should do to influence the direction of the boat. How much can I do? HOW could I even do it? 

I started this blog, earnestly, to have a place to share my art. I've done a lot. There's a lot I haven't done. I've gotten a lot of attention from it. And now we're back to the place where I would probably have to scream to get anyone's eyes on this blog at all. That is perfectly fine with me. It gives me freedom to develop my voice. 

I feel like my creative self for the first time in years and that feels really good. So I am doing this for me. 

Tuesday, July 9, 2024

Yes, I'm Back. And goals.

 Yes, I'm back. But did I ever go anywhere? 

I suppose that depends upon who you ask... I have been very active on my main social media outlet, which is Instagram. I post lots of stories, which to me are like curated, digital magazine tearsheets from this soul collager. I love it and don't ever want to stop! ✂

Now for the goals.

I want this to be an art review blog. It's something I am good at, and something I love. I can not tell you how much my soul aches to be in a museum and communing with art every single day. I am exhilarated by curation and I believe in the beauty of sharing art. 

So I'll be sharing art reviews here. Some will be from exhibits I have attended, and others will be from those I wish I could see. But they'll be here. And my goal. My real goal... Mmmm. I want to say I'll do it once a week. So I guess it'll be every Tuesday. You know that's a stretch for me on this blog. After all, it's been dormant for over 3 years, but I do really want this, so... Tuesday it is!

See you next Tuesday. 

Wednesday, February 10, 2021

What's Next?

 I have long since outgrown this platform, which was a beautiful and freeing outlet for my love of crafts. While I figure out where to take my website next, please follow me on Instagram for frequent content in stories and on the grid. 






Saturday, November 30, 2019

Art Review: Artweek 2019 - Fall BFA Thesis Exhibition La Concha Happy Hour at FIU

In an effort to be more involved locally and support the work of up and coming artists, I am excited to welcome photographer Byron Gramajo to my team. 




He recently attended "La Concha Happy Hour," which was a student thesis exhibition at his school, Florida International University. The exhibit ran from November-December 2019, and featured various student artists, named below.




A Pearl is a Parasite: Sonia Royal, Shirley Chong, Elizabeth Pino, Karolina Eguino. I am afraid to own a Body: Iman Hassan, Allison Rapport, Yeinely Duran, Victor Barbero, Naomi Peguero. All FIU BFA candidates Fall 2019.
The exhibit was grouped into two categories: A Pearl is a Parasite, and I am afraid to own a body. 

Shirley Chong was part of the "A Pearl is a Parasite" portion. She created ceramic bowls and a meditation space, as seen below. In her piece, she connects with materials as well as the audience. There is a performance element. The audience becomes a co-creator with the artist. As they enter the space, they feel the space, and experience the feelings of calm. This experience is now something the audience holds with them. They leave transformed.

Shirley Chong, A moment, 2019, Terra Cotta Clay, Wood, Chamomile tea, photo @gramabyron.jpg


Shirley Chong, A moment, 2019, Terra Cotta Clay, Wood, Chamomile tea, photo @gramabyron.jpg
The complex artwork of Karolina Eguino is of particular interest. Her technique is to layer photographs atop one another. In this, she is creating a space where the past, present, and possible future exists simultaneously. 

Karolina Eguino, Untitled 1 (2019),  Untitled 2 (2019),  Untitled 3 (2019), inkjet prints, photos by @gramabyon.jpg
I am afraid to own a Body by Emily Dickinson, photo by @gramabyon.jpg


In the next section, artist Iman Hassan offers us a record of the natural world and a glimpse into natural order in this world that can appear chaotic. Each of the prints were selected for what they could offer to the paper. Which were willing to be fossilized, and which were uncooperative, insisting to pass through time on their own terms? 


Iman Hassan, Study of plants (2019), monoprints: black ink, paper, photo @gramabyron.jpg

It is an absolute honor and a pleasure to welcome Byron to my team. I am excited about his talent and knowledge of the art world. I am excited about what this collaboration will bring. If his sensitive coverage of this exhibit is any indication, then the sky is the limit.

If you would be interested in learning more about the local art scene in South Florida, please let me know by leaving a comment or contacting me at artlikebread (at) gmail (dot) com. As always, thanks for reading the blog!  

Please leave your thoughts, ideas and questions in the comment section below.  If you liked this post, please share this post with a friend through social media and get yourself to a local student show! 

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